July 2020
Photolux Magazine
Editorial
... By this, I mean that, say, in Léget’s work, there is, of course, the today of exile and resilience (as you put it) and the survivalist spirit of making the most today despite what we do not know about tomorrow. But in the whispering tomorrow, after the song is sung, an inclination of something bigger emerges. After the curtains go down, or the women in Léget’s pictures manage to survive despite being in displacement. Here the quietness of the continuity comes into greater focus...